0：00
策展人 / Curator
应歆珣 Ying Xinxun
主办方 / Organizers
中国美术学院雕塑与公共艺术学院纤维艺术系 Fiber Art Department/School of Sculpture, China Academy of Art
BANK/MABSOCIETY
艺术家 / Artists
曹雨 Cao Yu、程晓芳 Cheng Xiaofang、陈婧文 Chen Jingwen、黄惠娴 Huang Huixian、陆扬 Lu Yang、厉槟源 Li Binyuan、石冰 Shi Bing、盛旖旎 Sheng Yini、应歆珣 Ying Xinxun、严逸洲 & 姜美琪 Yan Yizhou & Jiang Meiqi、郑晗琦 Zheng Hanqi
展期 / Duration: 2018.01.27 - 2018.02.21
地址 / Address: 上海市徐汇区安福路298弄2号楼底层
Building 2, Lane 298 Anfu Rd, Xuhui District, Shanghai
“0:00”——时间刻度的起点也是终点。“0:00”是不属于任何一天的存在时空，是一种“无限”的临界状态。从前夜到子夜，人们卸下“正常”外壳，这时便是人们回归自我世界的开始。0:00的存在状态可以理解为一种“非常（abnormal）”态，是在整个社会系统教化下被潜移默化的“正常”意识里，为自己寻找到的某种自我存在或自我释放的场域，蕴含着“正常”模式里无法探及的精神领域，如同福柯口中的“疯癫”，如同夹缝里的海，隐藏着人类自我解放的涌动，迸发出理性永远无法透析的真理，对抗着巨大的社会禁锢。
纤维和身体，是最为日常和理所当然的关系，这种当然性形成了一种常态，但是当我们看到熟悉的日常有些错位时，那种熟悉的陌生感就产生了一种能量的转化，在脱离标准化的可能性中形成无限的可能，新的状态在“非常”中生成。在此次“0:00”的展览中，地面被做成巨大的柔软的床，人们可以在展厅白色床单中躺卧，私人卧室与公共空间相混淆，观者以“日常”的个人化的“0:00”时分的身体状态，在不合时宜的场所中触发一种超出经验的身体体验，此时“日常”成为了“非常”。当我们无法形容一件事物超出了某种范围所处的状态时，通常会用“非常”这个词来表达，蕴含着对立于“正常”的战争以及对于“僵化”的处理与自由的创造，在“似是而非”的体验中，新的感知生发于其中，在这种极端的临界状态下，事物处于发生质变的临界点上，或者已然开始了改变。
展览由中国美术学院雕塑与公共艺术学院纤维艺术系主办，于BANK呈现。
“0:00”- is both the beginning and termination of a clock’s cycle. “0:00” is an existing space-time that doesn’t belong to any single day and represents an infinite state of criticality. From evening to midnight, people take off their “normal” mask and return to their inner selves, thus “0:00” can be classified as a state beyond “normality”. While our “normal” attitudes are influenced by social norms, “0:00” is a space that allows us to look for a certain self-identity or self-emancipation – a spiritual world otherwise unreachable under normal conditions. Like Foucault’s ‘madness’, or a portion of the sea blocked in a crevice, “0:00” bursts out with the truth that rationality can never reveal, and breaks free from established social shackles.
The relationship between fiber and the body is regarded as common and natural, it forms as a matter of course. But once we perceive any irregularity in familiar settings, the sense of strangeness is transformed into energy from which endless possibilities emerge. As we are detached from the common world a new state is born in “abnormality”. In this exhibition, the floor is repurposed as a large, soft bed. Visitors can lie down on the white sheets and physically experience the collapsing boundary between private and public spheres. In this timeless space the normal, quotidian act of lying down on a bed is abdicated of its normality. When failing to describe a state beyond one's accustomed range, we would usually use the term “unusual” or “abnormal” - a word at war with the “normal” - in which fresh perceptions arise in the paradoxical experience. In 0:00's extreme state of criticality, things have reached their threshold, and have already begun to change.
The exhibition is organized by China Academy of Art's Fiber Art Department/School of Sculpture and Public Art and presented at BANK.
策展人 / Curator
应歆珣 Ying Xinxun
主办方 / Organizers
中国美术学院雕塑与公共艺术学院纤维艺术系 Fiber Art Department/School of Sculpture, China Academy of Art
BANK/MABSOCIETY
艺术家 / Artists
曹雨 Cao Yu、程晓芳 Cheng Xiaofang、陈婧文 Chen Jingwen、黄惠娴 Huang Huixian、陆扬 Lu Yang、厉槟源 Li Binyuan、石冰 Shi Bing、盛旖旎 Sheng Yini、应歆珣 Ying Xinxun、严逸洲 & 姜美琪 Yan Yizhou & Jiang Meiqi、郑晗琦 Zheng Hanqi
展期 / Duration: 2018.01.27 - 2018.02.21
地址 / Address: 上海市徐汇区安福路298弄2号楼底层
Building 2, Lane 298 Anfu Rd, Xuhui District, Shanghai
“0:00”——时间刻度的起点也是终点。“0:00”是不属于任何一天的存在时空，是一种“无限”的临界状态。从前夜到子夜，人们卸下“正常”外壳，这时便是人们回归自我世界的开始。0:00的存在状态可以理解为一种“非常（abnormal）”态，是在整个社会系统教化下被潜移默化的“正常”意识里，为自己寻找到的某种自我存在或自我释放的场域，蕴含着“正常”模式里无法探及的精神领域，如同福柯口中的“疯癫”，如同夹缝里的海，隐藏着人类自我解放的涌动，迸发出理性永远无法透析的真理，对抗着巨大的社会禁锢。
纤维和身体，是最为日常和理所当然的关系，这种当然性形成了一种常态，但是当我们看到熟悉的日常有些错位时，那种熟悉的陌生感就产生了一种能量的转化，在脱离标准化的可能性中形成无限的可能，新的状态在“非常”中生成。在此次“0:00”的展览中，地面被做成巨大的柔软的床，人们可以在展厅白色床单中躺卧，私人卧室与公共空间相混淆，观者以“日常”的个人化的“0:00”时分的身体状态，在不合时宜的场所中触发一种超出经验的身体体验，此时“日常”成为了“非常”。当我们无法形容一件事物超出了某种范围所处的状态时，通常会用“非常”这个词来表达，蕴含着对立于“正常”的战争以及对于“僵化”的处理与自由的创造，在“似是而非”的体验中，新的感知生发于其中，在这种极端的临界状态下，事物处于发生质变的临界点上，或者已然开始了改变。
展览由中国美术学院雕塑与公共艺术学院纤维艺术系主办，于BANK呈现。
“0:00”- is both the beginning and termination of a clock’s cycle. “0:00” is an existing space-time that doesn’t belong to any single day and represents an infinite state of criticality. From evening to midnight, people take off their “normal” mask and return to their inner selves, thus “0:00” can be classified as a state beyond “normality”. While our “normal” attitudes are influenced by social norms, “0:00” is a space that allows us to look for a certain self-identity or self-emancipation – a spiritual world otherwise unreachable under normal conditions. Like Foucault’s ‘madness’, or a portion of the sea blocked in a crevice, “0:00” bursts out with the truth that rationality can never reveal, and breaks free from established social shackles.
The relationship between fiber and the body is regarded as common and natural, it forms as a matter of course. But once we perceive any irregularity in familiar settings, the sense of strangeness is transformed into energy from which endless possibilities emerge. As we are detached from the common world a new state is born in “abnormality”. In this exhibition, the floor is repurposed as a large, soft bed. Visitors can lie down on the white sheets and physically experience the collapsing boundary between private and public spheres. In this timeless space the normal, quotidian act of lying down on a bed is abdicated of its normality. When failing to describe a state beyond one's accustomed range, we would usually use the term “unusual” or “abnormal” - a word at war with the “normal” - in which fresh perceptions arise in the paradoxical experience. In 0:00's extreme state of criticality, things have reached their threshold, and have already begun to change.
The exhibition is organized by China Academy of Art's Fiber Art Department/School of Sculpture and Public Art and presented at BANK.
